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Saving the Buddha ( Part 4) Katy Perry


Saving the Buddha ( Part 4) Katy Perry  

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Author: Shooting Shark   Date: 6/19/2022 7:51:12 PM  +2/-1   Show Orig. Msg (this window) Or  In New Window

Shark: Sounds crazy, Doc.

Dr Cameron: Yes, but you should remember "Crazy" is a relative term. "Sane' people often do "crazy" things. With monarch slaves. 'normalcy" is like waking up from a bad dream, only to discover it was an altered reality of the mind.

The Mind is still a mystery to a large degree, and yet people like Katy and her experiences suggest our common 'reality" can be dramatically manipulated by others.

Now to sum it up, watch the video below.

Katy naturally feels the need to tell her story. (She does an apt job in the video below.)
I'll explain the symbolism seen in the video. you may want to watch it a few times to "get it." The sad part is the fact her handlers would produce still it. They are 'grandstanding" knowing she has a long recovery ahead of her, and I woukld say she has a good chance of relapse.

Scene opens with scantily clad Katy in a photo shoot, every teenage boy's fantasy and teenage girls idol. She retires to her dressing room, the stage hand is an a attractive guy and for a moment there is a sexual tension between them. Recovering from her Beta programing, Katy quickly closes the door and takes off her wig.

Next scene reminicent of my old work place ( Alan Institute) Katy finds herself in a gothic maze, symbolizing entrapment and helplessness. She sensually eats a strawberry, a phallic suggestion which subtly implys her Beta progtramming.
She seems to have no way out and her soul illuminates in her breast, streaking toward heaven, implying a pray for deliverence.

A door opens in the stone wall and she is confronted with a little girl, presumnably a recollection of her childhood self. They walk through a mirrored hallway ( note the child version of her does not appear in the mirror, symbolically the child is represented as a suppressed memory)

The paparazzi is busy taking pictures as the halway crumbles behind her, the image of the cameramen are ugnly and grotesque. There is apparently no way out but through the mirror.

Breaking through the mirror, she and the littke girl confront "Disneys Basement" and two demonic figures representing the trauma she experinced during her childhood programming. Such trauma is commonly being reported as "SRA" satanic ritual abuse during which the child is subjected to unspeakable horrors, spliting the base personality into "Alters" which are later programmed by hypnotic suggestion.

The little girl defies her demonic tormentors. They are banmaished as she and adult Katy run forward to escape the apparent asylum.

Breaking through into a disney like maze, Katy confromts her handler, who appears to be a hansome young man, with his fingers crossed behind his back, symbolizing the false concern and affection hder handker once used toi control her. She knock the guy out withy a right crooss to the chin and seekms free at last from this disney illusiuon. (complete with hypnotic spinning eyes in a dog in the scene, representing mass hypnosis).

The last scene confirms the little girl is a young Kathryn Hudson-- the license plate on her 1970s schwinn ( with Bannana seat) says "Kathryn" dating the age of a young Kathryn in real life.

PUNCHLINE: Child Kathryn hands adult Katy something and waves goodbye. Katy opens her hand and something emerges from her palm:

A MONARCH BUTTERFLY

The end. EXCEPT-- Katy Pery is still on stage. Her Progreammers are clearly confident they still own her, body and soul...
_____________________

Shark: Spooky! These people are sick in the head!



 
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Saving the Buddha ( Part 3) Monarch +2/-3 Shooting Shark 6/19/2022 4:54:42 PM